Member Piers Killeen has arranged for renowned pianist George Fu to perform works by Debussy, Ravel, Rachmaninov and Schubert in two concerts on August 6th and 7th. Details are here:
The Bach programme in Toulouse resumes in September. Details of the Ensemble Baroque programme are to be found at http://www.baroquetoulouse.com.
Member Christopher Pike has alerted us to these concerts. They are devoted to the Occitan and Catalan mediterranean cultures and take place in rural locations with a rich roman, medieval and southern gothic heritage. Use the link above to see the programme.
OUS Paris invites members to this Zoom talk by Professor Michael Spitzer on June 10th:
You may not consider yourself a “musician” ; Michael SPITZER would like to suggest otherwise. What if music-making were an inherently human component of our life on earth, an overlooked part of our origin story embedded in us whether we recognise it or not ?
Our member Piers Killeen writes:
2019 marks a new step forward. Sainte-Mère Festival has supported over 50 talented young musicians and one of the most promising new quartet ensembles in Europe. This year we are also supporting an exceptional young composer. The Festival has been fortunate enough to join the famous Aldeburgh Festival of England and The Philips Collection of Washington, in a co-commission of a new piece for string quartet by Freya Waley-Cohen. The European premiere forms part of this year’s exciting summer programme. The details are now on the website.
With best wishes,
On 9th August 2018, some 21 members, family and friends met for lunch in the Auberge des Bouviers in Lectoure for a lunch of quality in its splendid upstairs room. A couple of us courageously (or foolishly) tried the menu du jour’s very substantial andouillette but everyone else stayed in less challenging but much appreciated territory. As ever on these occasions, amidst good conversation, some new friendships and encounters were generated in the true spirit of our association.
Our objective then was to meet member Piers Killeen at his Chateau to see the then-resident Albion Quartet practice a piece from their next concert. The weather being (for this summer) atypically uncertain, we found them already at work in the Church next door. However, we were all quickly ejected by the onset of an imminent funeral and so repaired inside Piers’ fine house to hear them rehearse Ravel’s Quartet in F. We were much intrigued by the dynamics of the interplay between the players as well as the stunning immediacy and quality of their playing. Given that they had three concerts in three days ahead to rehearse, we were very privileged to get this unusual insight into the creation of fine music and to be able to ask questions about their approach to their work. Piers remarked that their concert the previous evening had been an exciting demonstration of the evolution of the quartet form from Haydn’s signature Op 20 no 2 to Beethoven’s final quartet, Op. 135 – followed by a well-timed thunderstorm.
Piers also provided tea and gave us an intriguing tour of his Edward I-period chateau (in which the concerts are held). He explained the historic and bureaucratic challenges that restoring such a monument present – historic because so little is known about its origins and the method of construction must mainly be deduced from what is there.
We would very much encourage those of you with an interest in chamber music to join Piers’ membership and attend his concerts as a result: http://saintemerefestival.net/en/.
Our great thanks to the Albions and to Piers for making it all possible.
Thanks to Brian and Liz Berks for their organisation, we were able once again to make the AGM an event worth attending.
At the Priory of Mesnil St. Martin at Montaut de Villeréal (47), members and guests were able to enjoy a fine catered lunch and then hear a Chopin concert by the owner of the Priory and concert pianist and teacher, Emmanuel Laloë-Ferrer.
This was followed by the lighter touch of Stanley Hanks with songs about London and from his native Costa Rica.